White People Sh*t Wednesday


I saw this scene in this movie with Clint Eastwood. In the scene, Eastwood is teaching some “nip” kid how to speak like a “real man.”

The scene starts with Eastwood walking into a barber shop and saying:

“How ya doing Martin, you crazy Italian prick? “

The actor playing Martin responds:

“Walts! You cheap bastard! I should have known you’d come in, I was having such a pleasant day! “

Prior to the greet, the barber says this when Eastwood walks in with the “nip” kid:

“Perfect! A Polak and AND a Chink!”

So now Eastwood tells this kid.

“Now you go out and come back in and talk to him like a man, like a REAL man. Come on! Get your ass outta here! Come on back now. “

And the kid comes back in and says:

“What’s up ya old Italian prick? “

And Martin, the barber goes:

[pointing rifle at Thao] “Get out of my shop before I blow your head off, you goddamn dick sucker! Go! “

Eastwood goes:

“What the hell are you doing? Have you lost your mind? “

Thao, the character who’s trying to talk like a “real man” says:

“But that’s what you said. That’s what you said men say.”

And the scene ends like so:

Walt Kowalski: You don’t just come in and insult the man in his own shop! You just don’t do that. What happens if you meet some stranger? You get the wrong one, he’s gonna blow your gook head right off!**
Thao Vang Lor: What should I have said then?
Barber Martin: Well… why don’t you start with… eeehm… Hi or Hello…
Walt Kowalski: Yeah, just come in and say… eeeehm… Sir, I’d like a haircut if you have the time.
Barber Martin: Yeah, be polite, but don’t kiss ass.
Walt Kowalski: In fact you could talk about a construction job you just came from and bitch about your girlfriend and your car.
Barber Martin: eeeehm… Son of a bitch, I just got my brakes fixed and eeehmm those son of bitches really nailed me, I mean they screwed me right in the ass!
Walt Kowalski: Yeah, don’t swear AT the guy, just talk about people who are not in the room… eeeh… you could talk about your boss… eeeh… making you work extra time when there is bowling night.
Barber Martin: Right, or… eeeh… my old lady bitches for two goddamn hours about how… eeeeh… they don’t take expired coupons at the grocery stores. And the minute I turn on the fucking game, she starts crying how we never talk! ***

The point of this little rehash is about differences in culture and societal norms.

One afternoon, I was listening to a co-worker talk about how he was having an argument with a bus driver.

The back-story is this, the bus driver took off when this co-worker was standing at the door to the bus. This is the second time it had happened to him and the problem was that a bus only comes every hour and this was the bus he needed to get to work.

So he goes to a stop where he knows he can catch the bus.

The co-worker finally comes face-to-face with the bus driver and he recounts what he said to the bus driver to us.  At some point the co-worker called the bus driver  “motherfucker.” And the co-worker goes on to say that as soon as he did that, he realized that he lost the argument he was trying to make.

The bus driver called the co-worker in as “belligerent” and refused to move the bus any further. Reminder, this was not the first time my co-worker just got left by this bus driver. So you’d think he’d have every right to call him a motherfucker, but apparently not.

As Eastwood’s character says…“don’t swear AT the guy.”

My immediate reaction to this phenomenon that my co-worker described and even Eastwood’s character’s reaction was “white people shit.”

Where I come from swearing is a signal to another person that they have

A) crossed the line, and

B) pissed you off

And the gloves are off and we are one step away from fisticuffs or a brawl.

No decent human being wants to cuss out another. It is an uncouth practice and at the same time, if another person is already doing something uncouth, then to the person cussing, the situation has already been brought to an uncouth level. (Well hell, I tried to be good but you’re still being an ass and I will not be the toilet for your shitty dump.)

I’ve always understood that cussing, in my social world, is more like a warning signal.

It means that the person will not back down and that they are capable of going apeshit on your ass. It would be the same as giving someone a passive warning that this is the wrong way to go and you might get hurt if you continue down this path. (Not only that but apparently cussing makes you feel better.)

My reaction was uttered in mixed company, with white people and non-white people. The white side of the room remained quiet while the non-white people laughed.

I understand this “white people shit” difference (now) but as someone who is from a different social background, where this type of behavior is grounded in acceptance because it relates to a social identity, it really bugs me that others not from this background are so quick to judge people (specifically me) being like this.

It makes saying things like “It’s alright as long as it’s all white,” sound reasonable.

In professional relationships it’s one thing (it’s just not professional at all), in personal relationships it’s a big deal (this is how I was raised, this is my identity and its always been okay, until I met you. Plus, because everyone [in my community/society]knows the everyone is capable of  doing this, we do our best not to let it get to this level).

Even if you don’t like people swearing at you, to respond to this behavior with something like “this is not how proper people behave” is rude and insulting because as I wrote earlier:

Swearing is a signal to another person that they have

A) crossed the line, and

B) pissed you off

And the gloves are off and we are one step away from fisticuffs or a brawl.

So say you can’t handle that type of confrontation: Say that you want to talk but you want some ground rules. Or let them have their say and once you’ve listened to them and the problem has been settled, take the time to talk to them about things like this.

Is it so wrong to ask for others to accept your societal norms as much as you accept theirs?

But this sh*t?

“This is not how proper people behave”

Automatically leads to:

Kiss it (_|_)

I’m glad my co-worker relayed that story to me though. Now I know how I can relate better to others even if they aren’t sensitive enough to try and relate to me. (Jerks, assholes, punks, ccksckers. Hey, I’m making myself feel better.)

*I also considered naming this post, WASP Aspiration Wednesday, since the value I’m talking about it is more of a societal class value then an ethnic one but WASP Aspiration Wednesday doesn’t have quite the same ring at White People Sh*t Wednesday.

** My mom always said don’t try to make someone angry, you don’t know what type of crazy you’ll get.

*** See the movie scene below

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Remake for Movie, Let The Right One, Releases Trailer


Back in January 2009, I wrote a review of the Swedish film “Let the Right One In.” In the review, the first thing I wrote is “why you should watch it [the movie] now.”

My answer to that was because even then, the news was out that the movie would receive an American remake by the film director Mike Reeves of Cloverfield fame. A year and some months later and the trailer for that remake is here and posted below for your pleasure.

Like most film snobs, I was and still am a little apprehensive of an American remake of any foreign (or classic) film (and these days, I gotta add TV shows to that list). It just seems like the American way of doing/seeing things falls a little short of the original, especially when it comes to culture-oriented things.

With that said, this trailer actually intrigues. The movie, called “Let Me In” instead of “Let The Right One In,”  features Chloe “I’m Just Fuckin’ With Ya Daddy” Moretz of the Kick Ass movie franchise (a second movie is in talks to come out) as the exotic next-door neighbor with a blood-sucking secret and Kodi Smit-McPhee as the protagonist of the story. Smit-McPhee was last seen beside Viggo Mortensen in the movie “The Road.”

Although the trailer looks great it remains to be seen how the movie will stand up to the original. Reeves, in addition to directing the movie, wrote the screenplay for the remake so who knows what has remained and what has changed.

The movie “Let Me In” has a scheduled release date of October 1, 2010.

Oh Dan. Lacey Does Portraits of Michael Jackson


You might remember Dan Lacey as the guy who paints portraits of people with pancakes on their heads. Or, you might remember him as the guy who likes to paint current president, Barack Obama, butt-naked on a unicorn.

Lacey is back again. His muse this time? Michael Jackson. And I don’t think it’s a coincidence since we are now on the first anniversary of  his death.

You can check out Lacey’s MJ gallery here. My two favorites pieces are posted below. There’s even this creepy one of MJ butt-naked.

He shed his skin cuz God loves and wants him just as he is?

It’s nice to think Tupac and MJ the child are hanging out in heaven together. Maybe doing some new collaborations and creating mash-ups of their old songs.

Rube Goldberg Machine Explosion! (Alright, OK Go Too)



From the Japanese kids show,”Pitagora Suicchi” or Pythagora Switch.

It seems like the world is once again in love with the Indie (?) Rock band OK Go, the band just released its second “OMG SO VIRAL” video for the single “This Too Shall Pass” (below the fold) some weeks ago.

If the name of the band sounds familiar, it may be because you saw their first “OMG SO VIRAL” (I should totally trademark this phrase) video, “Here It Goes Again,” in case you aren’t familiar, you can see the video here.

Another reason why the band might sound familiar to you is because lead singer Damian Kulash Jr., wrote a damning editorial piece in the New York Times about OK Go’s record label EMI and major record labels in general for disabling the embed option on music videos in order to make a nickel. You can find a link to that editorial here.

It should come as no surprise that soon after that editorial piece, OK Go left their record label EMI, to create their own record label called Paracadute, (Italian for parachute).

Their latest video features one of the zaniest, large-scale Rube Goldberg Machines I’ve ever seen. Take a look at it in the video below. This is actually the second video for this song; the first video featured the Notre Dame Marching Band playing with the group; you can see that version here.

“This Too Shall Pass,” below Continue reading